AES Europe 2026

AES Europe 2026

Schedule as of May 16, 2022 - subject to change

Default Time Zone is CEST - Central European Summer Time
You can change your view to your time zone (look for "Timezone" on the right)

LIVESTREAMS : A and B

ON DEMAND VIDEOS (previous days)

Alain Bonardi

University of Paris 8

Professor in Computer Science and Music Creation

France

alainbonardi.net

Find me on

About me

Alain Bonardi is a Professor of Computer Science and Music Creation at Paris 8 University, where he is based in the Music Department and is a member of the Musidanse laboratory.
There, he co-directs the CICM (Center for Research in Computer Science and Music Creation) with Anne Sèdes. Since September 2025, he has been the Principal Investigator of the ERC G3S project (Generative Spatial Synthesis of Sound and Music, 2025–2030).
He is also a composer and producer in computer music.

8:00am CEST

Atendee Registration Foyer Building 306

9:00am CEST

Deep Learning-Based Lower-Layer Upmixing Aud 43Luis Madrid • Thaddeus Páez • Ema Souza-Blanes

10:00am CEST

Comparative Quantitative Analysis of Immersive Mixing Practices: Tracking Spatial Trends in Award-Winning; Popular Streaming Media Aud 42Can Murtezaoglu

10:30am CEST

Effect of an Active Acoustic Reinforcement System on Musical Performance in a Recording Studio Aud 42Gianluca Grazioli • Richard King • Wieslaw Woszczyk

11:30am CEST

The efficacy of phantom image perception: an active listener perspective. Aud 42Wesley Bulla • Song Hui CHON

12:00pm CEST

Opening Ceremony, Keynote Session, Awards Aud 42Jan Abildgaard Pedersen • Cesar Lamschtein • Colleen Harper • Brecht De Man • Lars Tirsbæk • Geoff Martin • Finn Agerkvist

1:30pm CEST

New Paths for Immersive Music Streaming: Channel-based and High Resolution Aud 49Kimio Hamasaki • Stefan Bock • Bert van Daele • Morten Lindberg • Vicki Melchior Capturing Immersive Sound in Concert Halls: A Comparative Analysis of PCMA-3D and Decca Cuboid Recording Techniques Foyer Building 303AZechen Wang

2:00pm CEST

Personalized VR for hearing research with embedded devices Aud 42Romain Michon • Stefania Serafin • Romain Serizel

2:30pm CEST

A Recursive Attractor Network for Long-Form Sound Source Localization; Identity Tracking with a Variable Number of Sources Aud 42Jiaqi Du • Tianshu Qu • Xihong Wu

4:00pm CEST

Flow-HOA: Generative Joint Optimization for Ambisonics Encoding via Flow Matching Aud 42Xueyang Lv • Yufan Qian • Tianshu Qu • Yuhuan You

4:30pm CEST

A Parametric Dual-Channel Audio Coding via Learned Time-Frequency Masking Aud 42Qingbo Huang • Yufan Qian • Tianshu Qu • Yihan Wang

9:30am CEST

Who Controls the Space? Artistic Intent; Sound Diffusion in Immersive Concert Performance Aud 43Kasper Fangel Skov

10:00am CEST

Designing Music Spaces in Educational Buildings: Challenges; Considerations Aud 42Elena Prokofieva Predicting Sonic Atmospheres - Expectation; Attunement Aud 43Jonas Kirkegaard

10:30am CEST

What Makes Binaural Audio Truly Immersive? Aud 49Hyunkook Lee • Stefan Bock • Katarzyna Sochaczewska • Morten Lindberg • Chris Berens

12:30pm CEST

Perceptual Evaluation of the Open Binaural Renderer Aud 42Jani Huoponen • Gavin Kearney • Felicia Lim • Tomasz Rudzki • Jan Skoglund • Katarzyna Sochaczewska

1:00pm CEST

A Time–Frequency Integrated Framework for Frequency-Invariant Beamforming in Loudspeaker Arrays Foyer Building 303ANing Cong • Keyu Pan • Xing Tian • Jianbin Yang Sound field creation with a cube-like loudspeaker array designed using Lamé function based on virtual sound source distribution Foyer Building 303AYuzuki Eriguchi • Yasuhiro Oikawa • Tomohiro Sakaguchi

1:30pm CEST

A Perceptual Evaluation Method for Binaural Rendering Algorithms via Minimum Audible Angle Measurements Aud 42Yufan Qian • Tianshu Qu • Xihong Wu • Houlin Zhu

2:00pm CEST

Toward an improved auditory model for predicting binaural coloration Aud 42Fabian Brinkmann • Thomas McKenzie

9:00am CEST

Augmented Ubiquity - A fully volumetric music composition for VR Aud 42Pablo Dawson • Sascha Armin Etezazi • Benedikt Samuel Jäger • Lou Kilger • Manuel Steitz

9:30am CEST

The artistic role of the sound engineer in immersive spatialisation. Investigation of the influence of space in the emotional interpretation of sounds. Aud 42Luca Frigo

10:00am CEST

Creating immersion without discrete channels: A Binaural-centric approach Aud 41Natalia Mamcarczyk • Jake Hollebon

11:00am CEST

The Chopin Residue Project Aud 31Morten Lindberg • Mariusz Szypura • Jacek Gawlowski • Michael Romanowski

11:30am CEST

Intelligent Audio personalization for Enhanced user experience Aud 42Natasha Meena • Sumit Panwar • Avinash Singh • Hemanshu Srivastava

1:00pm CEST

A Systematic Literature Review on Inverse Synthesis; Sound Matching Aud 42Bruno Gawęcki • Ewa Łukasik

1:30pm CEST

From DSP to AI Audio Engineering: The Heritage; the Future of Physical Modeling Sound Synthesis Aud 42Cumhur Erkut