AES Europe 2026

AES Europe 2026

Schedule as of May 16, 2022 - subject to change

Default Time Zone is CEST - Central European Summer Time
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LIVESTREAMS : A and B

ON DEMAND VIDEOS (previous days)

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8:00am CEST

Attendee Registration Foyer Building 306

9:00am CEST

Adaptive Deesser Application Aud 43Stefanos Biliousis • Cumhur Erkut Augmented Ubiquity - A fully volumetric music composition for VR Aud 42Pablo Dawson • Sascha Armin Etezazi • Benedikt Samuel Jäger • Lou Kilger • Manuel Steitz Recent loudness developments and challenges Aud 44Florian Camerer • Thomas Lund Creating Emotional Space with Layered Sounds in 3D Audio Aud 31Lasse Nipkow Introduction to Physical Modelling Sound Synthesis Aud 41Adam Pietruszko Differentiated Wavefront Modulation for Directivity Control at High Frequencies Foyer Building 303AJun Gu • Zhi Li • Jianbin Yang Mechanical Characterization; Geometry Optimization of Loudspeaker Spider Suspensions Foyer Building 303ANicolò Chillè • Chiara Corsini • Grazia Spatafora • Luca Villa Quasi-Anechoic Loudspeaker Measurements: a “Step” Forward Foyer Building 303ADavide Saronni Reduction of Mid-to-High-Frequency Distortion in Loudspeakers through Structural Magnetic Circuit Modification Foyer Building 303AZhi Li • He Xiao • Jianbin Yang Sound Diffusion Properties of a Bending-Wave Loudspeaker Compared with a Conventional Speaker Foyer Building 303AKazuhiko Kawahara • Rina Mizukami Zylia ZM-1 vs. Harpex Spcmic: A Case Study of Higher-Order Ambisonic Recording Performance Foyer Building 303ABartlomiej Mroz • Szymon Zaporowski A Longitudinal Dataset for Guitar String Ageing Foyer Building 303AMatthew Hamilton • Thomas McKenzie • Alec Wright Modulation Noise in Tape Recording Foyer Building 303AJohn Vanderkooy Poster Session 4 Foyer Building 303A Posters Exhibit Hall Aud 36

9:30am CEST

When Excellence Fails the Mix: Non-Compensatory Relationships in Mix Preparation for Music Production Aud 43Ashour Ahmed The artistic role of the sound engineer in immersive spatialisation. Investigation of the influence of space in the emotional interpretation of sounds. Aud 42Luca Frigo

10:00am CEST

Low-Frequency Limits of Cross-Talk Cancellation Systems Under Robustness Constraints Aud 42Filippo Fazi • Filippo Fazi • Francesco Veronesi Melodical Mashup of Classical Pieces: How to Maximize Audience Enjoyment? Aud 43Anh-Dung Dinh • Andrew Horner Kimio Hamasaki: 3D Masterclass Aud 31Kimio Hamasaki • Thomas Lund Creating immersion without discrete channels: A Binaural-centric approach Aud 41Natalia Mamcarczyk • Jake Hollebon Student Mix Critiques 3 Building 302, 2nd floorIan Corbett What Are You Doing With That Compressor? Aud 44George Massenburg • Richard King • Stefan Bock • Margaret Luthar

10:30am CEST

A multitrack dataset of a ten-song album with stereo; immersive 7.1.4 masters Aud 43Thomas McKenzie • Eloi Moliner • Alec Wright Room Measurement Based Calibration of MPEG-I Tracked Loudspeaker Rendering Aud 42Sascha Disch • Christof Faller • Juergen Herre • Markus Schmidt

11:00am CEST

Optimising Sound Effects to Enhance Dialogue Perception in Audio Mixes Using Selective Auditory Attention Aud 43Federico Aramini • Iain McGregor • Rod Selfridge The Missing Next Step: Sound, Agency,; Plausibility in Virtual Reality — A Narrative Review Aud 42Nilufar Baghaei • Neil Hillman • Eve Klein • Peter Kurucz • Stefania Serafin Head-tracking for spatial audio reproduction using loudspeaker arrays Aud 41Filippo Fazi • Jago Reed-Jones The Chopin Residue Project Aud 31Morten Lindberg • Mariusz Szypura • Jacek Gawlowski • Michael Romanowski

11:30am CEST

Intelligent Audio personalization for Enhanced user experience Aud 42Natasha Meena • Sumit Panwar • Avinash Singh • Hemanshu Srivastava

12:30pm CEST

George Massenburg: 3D Masterclass Aud 31George Massenburg • Thomas Lund Studio Slave to Audio Professional Aud 41Gary Gottlieb • John Krivit Building A Personal Immersive Studio Aud 44Jeff Levison

1:00pm CEST

A Systematic Literature Review on Inverse Synthesis; Sound Matching Aud 42Bruno Gawęcki • Ewa Łukasik Artificial ear for bone-conducted vibrations, simulation; measurement Aud 43Roberta Dattilo • Yu Luan JoyCam: Blending Facial Recognition with Neural Activity measurement for Real-time Estimation of Listener Emotion Foyer Building 303ADuncan Williams Smartphone-based tinnitus matching: Implementation; Validation Foyer Building 303AMark Bo Jensen • Cheol-Ho Jeong • Mie LærkegårdJørgensen • Fiona Bríd Mulvey • Mikkel Brunstedt Nørgaard • Izabela Ossowska Investigations on Nonlinearity in a Gammatone Filter Bank Based Perceptual Model Foyer Building 303ABernd Edler • Paul EmilMeier • Yaqiong Hou • Paula Schäfer • Fabian Schaller Measurement; Analysis of Perceptual Characteristics of Binaural Cues Foyer Building 303AMingyan Gao • Heng Wang • Yiming Xu Subjective Evaluation of Stereo Width Shrinkage Method Using Semantic Differential Method; Scheffé’s Paired Comparison Foyer Building 303AMatsumoto Arisa • Mitsunori Mizumachi Poster Session 5 Foyer Building 303A Posters

1:30pm CEST

From DSP to AI Audio Engineering: The Heritage; the Future of Physical Modeling Sound Synthesis Aud 42Cumhur Erkut A Study on Uncertainty of Sound Pressure Measurements in Cars Aud 43Ruoyan Chen • Xiaojun Qiu • Jiancheng Tao • Zhou Zhou Hyunkook Lee: Enveloping Masterclass Aud 31Hyunkook Lee • Thomas Lund Ask Us Anything! Aud 41Kseniya Kawko • Richard King • Katarzyna Sochaczewska • Ian Corbett • Margaret Luthar

2:00pm CEST

Knowledge-Driven Optimization of Reverberation Parameters Using Declarative Audio Constraints Aud 42Flavio Everardo • Noah Haussmann Optimal levels; measurement time for separation of nonlinear components Aud 43Finn Agerkvist

2:30pm CEST

Topology Optimized Tweeter Waveguides for Automotive Audio Aud 43René Christensen

3:00pm CEST

Student Competitions Awards Ceremony Aud 42Ian Corbett