AES Europe 2026

AES Europe 2026

Schedule as of May 16, 2022 - subject to change

Default Time Zone is CEST - Central European Summer Time
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LIVESTREAMS : A and B

ON DEMAND VIDEOS (previous days)

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8:00am CEST

Atendee Registration Foyer Building 306

9:00am CEST

Deep Learning-Based Lower-Layer Upmixing Aud 43Luis Madrid • Thaddeus Páez • Ema Souza-Blanes Design; Optimization of Acoustic Lenses for Audible Frequency Aud 44Jadwiga Hyla • Jarosław Rubacha The Roaring Twenties - the first decade of consumer loudspeakers Aud 49Juha Backman Exhibitor Registration Foyer Building 306 Student Welcome Meeting Aud 41Ian Corbett

9:30am CEST

Spectral Optimization for Automatic Multitrack Mixing Using Answer Set Programming Aud 43Carlos Benítez • Flavio Everardo Mutual coupling investigation of bass horn loaded speakers Aud 44Aurelian Botau

10:00am CEST

Experimental study of sound zone methods for indoor/outdoor active noise cancellation Aud 44Lucas Hocquette • Yves Pene Beyond Species Identification: Real-Time Spatial Interaction Analysis in Avian Bioacoustics Using Microphone Arrays; Hybrid Beamforming on Edge Architectures Aud 43Emre Göktuğ AKTAŞ • Mesut Kartal Comparative Quantitative Analysis of Immersive Mixing Practices: Tracking Spatial Trends in Award-Winning; Popular Streaming Media Aud 42Can Murtezaoglu Distortion Measurements; Can We Measure What We Hear? Aud 49Steve Temme Drone-Based Class 1 Sound Level Measurements for Three-Dimensional Characterization of Outdoor PA Systems Building 302, 2nd floorMarcel Kok The Early Electronic Orchestra: The Analogue Circuits Behind Electronic Keyboards Before Digital Came Along. Aud 41Jamie Angus-Whiteoak ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording Aud 31Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg Exhibit Hall Aud 36

10:30am CEST

Effect of an Active Acoustic Reinforcement System on Musical Performance in a Recording Studio Aud 42Gianluca Grazioli • Richard King • Wieslaw Woszczyk Confidently Wrong: Evaluating AudioSet-Trained Models Under Real-World Deployment Aud 43Javier Naranjo Alcazar • Marta Garcia Ballesteros • Jordi Grau de Haro • Ruben Ribes Serrano • Pedro Diego Zuccarello González Victorica Nonlinear viscoelasticity in loudspeaker suspensions Aud 44Finn Agerkvist • Manuel Hahmann • Franz Heuchel

11:00am CEST

Audio data augmentation techniques for frame drum stroke recognition Aud 43Charalampos Dimoulas • Antonis Pagonis • Labros Vasileiou • Nikolaos Vryzas Input-output linearization of loudspeaker dynamics via automatic differentiation Aud 44Finn Agerkvist • Franz Heuchel Comfortability analysis of immersive sound playback system for cabin noise based on frontal lobe fNIRS experiment: an application of 4th order ambisonics Aud 42Yonghee Lee Kseniya Kawko: 3D Masterclass Aud 31Kseniya Kawko • Thomas Lund Immersive Audio Formats: Innovation, Fragmentation, or Both? Aud 41Stefan Bock • Katarzyna Sochaczewska • Michael Romanowski • Morten Lindberg • Lars Tirsbæk Measurement tools for immersive audio production Aud 49Pavel Smokotnin

11:30am CEST

System-Level Remapping for Electronic Music Spatial Reproduction: A Case Study of the Cross-Venue Reperformance of Symphonic Coding Aud 43Chuhan Gao • Xiuquan Yao • Yilong Zhang Virtualization-Based Mechanical Loudspeaker Protection Using Nonlinear Wave Digital Modeling Aud 44Lucio Bianchi The efficacy of phantom image perception: an active listener perspective. Aud 42Wesley Bulla • Song Hui CHON

12:00pm CEST

Opening Ceremony, Keynote Session, Awards Aud 42Jan Abildgaard Pedersen • Cesar Lamschtein • Colleen Harper • Brecht De Man • Lars Tirsbæk • Geoff Martin • Finn Agerkvist

1:30pm CEST

A New Reference Target Curve for Studio Headphones Aud 44Jonas Foerster • Lukas Keppler Joint Neural Translation; Classification of Videos for Audio Processing Aud 43Sunil Bharitkar • Alejandro Cajica Headphone development is not over yet Aud 41Juha Backman • Naotaka Tsunoda • Axel Grell New Paths for Immersive Music Streaming: Channel-based and High Resolution Aud 49Kimio Hamasaki • Stefan Bock • Bert van Daele • Morten Lindberg • Vicki Melchior Binaspect: A Python Library for Binaural Audio Analysis, Visualization & Feature Generation Foyer Building 303ADan Barry • Andrew Hines • Davoud Shariat Panah • Alessandro Ragano • Jan Skoglund Lightweight Real-time Spatial Audio Interpolation for Standalone VR using Hand Claps Foyer Building 303AMinsu Kim Perceptual Evaluation of the MPEG-I Immersive Audio Standard Foyer Building 303APablo Delgado • Sascha Disch • Hiroyuki Ehara • Alejandro Restrepo Garcia • Sam Jelfs • Erlendur Karlsson • Jussi Leppanen • Andreas Silzle • Leon Terentiv Can the individual winner HRTFs be determined in a shooting task during onboarding for an Audio Only VR? Foyer Building 303AFlemming Christensen • Dorte Hammershøi • Stefania Serafin • Max Væhrens Exploiting Source Directivity for Robust Asymmetric Crosstalk Cancellation Foyer Building 303ANing Cong • Keyu Pan • Xing Tian • Jianbin Yang Capturing Immersive Sound in Concert Halls: A Comparative Analysis of PCMA-3D and Decca Cuboid Recording Techniques Foyer Building 303AZechen Wang Poster Session 1 Foyer Building 303A Posters

2:00pm CEST

Personalized VR for hearing research with embedded devices Aud 42Romain Michon • Stefania Serafin • Romain Serizel The Perception; Measurement of Nonlinear Distortion in Headphones Aud 44Pierre-Emmanuel Lelièvre • Sean Olive Perceptual Model Considering Comodulation Masking Release by Postmasking Adaptation Aud 43Bernd Edler • Fabian Schaller Florian Camerer: 3D Masterclass Aud 31Florian Camerer • Thomas Lund Student Recording Competition Category 2: Studio Recording Building 302, 2nd floorMagdalena Piotrowska • Margaret Luthar • Ian Corbett • Kia Eshghi • Szymon Zaporowski

2:30pm CEST

A Recursive Attractor Network for Long-Form Sound Source Localization; Identity Tracking with a Variable Number of Sources Aud 42Jiaqi Du • Tianshu Qu • Xihong Wu Optical MEMS microphones leverage architectural advantages to achieve 80dB SNR Aud 44Jakob Vennerød EMORSION – Examining the Impact of Audio Features on Emotional Responses; Immersion in Film. Aud 43Ruby Crocker • George Fazekas • Nelly Garcia • Josh Reiss • Charalampos Saitis • Bleiz Macsen Del Sette Be A Leader! Aud 41Jan Abildgaard Pedersen • Cesar Lamschtein • Agnieszka Roginska • Lars Tirsbæk • Ewa Łukasik • Brecht De Man

3:00pm CEST

Sound Absorber Estimation with Deep Neural Network Aud 42Boris Mondet Deep-Learning-Driven Sensory Profiling of Headphone Target Curves with Adaptive Listening Test Validation Aud 44Gabriele Ravizza • Julian Villegas Emergence; Spatial Directionality of Sa Quintina in the Sacred Vocal Tradition of Castelsardo, Sardinia, Italy: An Early-Stage Sonological–Acoustical Study Aud 43Felicita Brusoni • Riccardo Dapelo • Luca Frigo • Martino Sarolli Jim and Ulrike Anderson: 3D Masterclass Aud 31Jim Anderson • Thomas Lund • Ulrike Anderson TC-NAS : AES Technical Committee on "NETWORK AUDIO SYSTEMS" Aud 93Kevin Gross From Spec to Studio: Immersive Audio Creation and Delivery using Eclipsa Audio Aud 49Katarzyna Sochaczewska • Toni Hirvonen • Jani Huoponen • Tomasz Rudzki Student Recording Competition Category 1: Traditional Acoustic Recording Building 302, 2nd floorRichard King • Kseniya Kawko • Ian Corbett • Kia Eshghi

3:30pm CEST

Center Extraction GAN Aud 42Julian Klapp • Pablo Panter • Christian Uhle • Andreas Walther Measurement Uncertainty of MEMS Microphone Sensitivity in A Free-Field Condition Aud 44Teguh Aditanoyo • Salvador Barrera Figueroa NAVIQUAL: Creating Spatial Audio Quality Maps for Virtual Live Music Environments Aud 43Andrew Hines • Carl Timothy Tolentino Audio engineering music for listeners with hearing loss Aud 41Josh Reiss • Trevor Cox • Sara Madsen • Adam Steed

4:00pm CEST

Flow-HOA: Generative Joint Optimization for Ambisonics Encoding via Flow Matching Aud 42Xueyang Lv • Yufan Qian • Tianshu Qu • Yuhuan You Accurate Characterization of Integrated Microphone Arrays for Device--Related Transfer Function Synthesis Aud 44John Cozens • Matti Hamalainen • Mikko Pekkarinen • Hannu Pulakka Influences of Nonlinear Distortion in Music Playback on Listeners’ Stress Evaluated by PPI; RMSSD of PPG Aud 43Shun Muramatsu • Kenshin Nakada • Takahiro Yoshida Stefan Bock: 3D Masterclass Aud 31Stefan Bock • Thomas Lund TC-AA : AES Technical Committee on "AUTOMOTIVE AUDIO" Aud 93Roger Shively Best practices for wireless audio in modern RF environments Aud 49Robert Lee Student Mix Critiques 1 Building 302, 2nd floorIan Corbett

4:30pm CEST

Personalized Timbre Optimization for Stereophonic Sound Reproduction via Earphones: Part 2 – Practical Implementation; Validation on Consumer TWS Devices Aud 44Kimio Hamasaki • Atsushi Hara • Haruto Hirai • Mitsuru Hosoo • Shun Saito • Nao Tojo A Parametric Dual-Channel Audio Coding via Learned Time-Frequency Masking Aud 42Qingbo Huang • Yufan Qian • Tianshu Qu • Yihan Wang From Gaze to Gnosis: A Critical Framework for Embodied Audio Production Aud 43Katie Ambrose

5:00pm CEST

Richard Heyser Memorial Lecture : From head-related transfer functions to risk of damage and hearing rehabilitation Aud 42Jayant Datta • Dorte Hammershøi

6:00pm CEST

Auro-3D & Dynaudio Immersive Sound Evening at Black Tornado Studios Black Tornado Studios

6:30pm CEST

Opening Reception: Drinks, snacks and live music with vocal ensemble "Tonika". Foyer Building 303A