AES Europe 2026

Taking the premiere and reperformance of the sci-tech symphonic suite Symphonic Coding as a case study, this paper discusses audio system organization, sound diffusion, and cross-venue migration in the co-performance of symphonic and electronic music. Given the challenges of diverse live inputs, real-time control of the electronic music part, concurrent recording and live streaming, and varying acoustic conditions, the article analyzes how a single workflow handles traditional miking, electronic music generation and control, live spatial diffusion, and multi-purpose distribution. The study is structured across four levels: system design requirements, signal organization, dual-venue implementation, and engineering discussion. It illustrates the development of an interconnected workflow comprising Content, Rendering, and Distribution Layers through mixing console organization, immersive rendering, and AoIP distribution. Results indicate that the significance of this work lies not in the reproduction of the listening experience of the entire performance, but in enabling the spatial presentation of the electronic music part to remain valid across different environments based on a consistent reference. Furthermore, the project enhances reperformance capability and production flexibility through the separation of functions, roles, and systems.